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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI Maestro arrow Daeng Sutigna arrow Buku Daeng Sutigna - BAB I Pendahuluan

Buku Daeng Sutigna - BAB I Pendahuluan Print E-mail
Contributed by Buku Biografi Daeng Sutigna   
Thursday, 11 August 2005
ImageNama Daeng Sutigna tidak dapat dipisahkan dari kepeloporannya sebagai inovator “angklung”, suatu instrumen musik dari bahan bambu yang semula khas dari daerah Parahiayang. Berkat ketekunan, bakat, serta pengetahuannya tentang musik secara mendalam, angklung telah berhasil diangkatnya menjadi milik nasional, yang ditampilkan secara massal tidak saja di dalam monumen-monumen seni yang bersifat nasional, tetapi juga pada tingkat-tingkat internasional.

Daeng Soetigna adalah seorang seniman sekaligus seorang pendidik. Penguasaannya terhadap instrumen-instrumen musik barat dan daerah baik teoritis dan praktis luluh menyatu dalam dirinya  sehingga ia menjadi salah satu seniman Indonesia terkemuka. Bakat-bakat ini kemudian juga menurun kepada beberapa orang anaknya. Sebagai seorang seniman, ia juga mengajar di sekolah-sekolah, karena itu ia juga seorang pendidik. Berkat Daeng Sutigna, angklung yang semula suatu instrumen yang sederhana yang dimainkan oleh para pengemis untuk menarik perhatian orang-orang yang lewat kemudian menjadi suatu instrumen yang efektif dalam pengajaran di kelas (Arnold B. Perris, “The Rebirth of the Javanese Angklung”, St. Louis, Missouri: University of Missourri, hal. 403-404). Ada lima alasan ia memperjuangkan instrumen angklung menjadi alat pendidikan, yang olehnya disebut sebagai “Lima M” (mudah, murah, menarik, mendidik, massal). Menjelang akhir hayatnya, cita-citanya tidak lagi terbatas pada “memasyarakatkan angklung”, tetapi juga “menduniakan angklung” , karena ia melihat bahwa angklung sekarang telah menyebar keseluruh dunia (Warta Rindusaba). Bagi umum, angklung Daeng Sutigna disebut “Angklung Modern”, tetapi juga sejumlah murud-murid yang meneruskan cita-cita dan yang telah mengikuti perjuangan Daeng Sutigna dalam memberikan tempat yang terhormat bagi angklung,  menyebutnya “Angklung Pak Daeng”, suatu nama untuk mengabadikan kepeloporannya itu. Ia telah berhasil menciptakan, memajukan, dan meyebarluaskan angklung dalam susunan nada diatonis sehingga menjadi alat pendidikan di Departemen Pendidikan dan Kebudayaan. Atas jasa-jasanya, maka pada tanggal 15 Oktober 1968, Daeng Sutigna mendapat anugrah SATYALANCANA KEBUDAYAAN dari presiden Republik Indonesia Soeharto.

Image Selain sebagai seorang seniman dan pendidik, Daeng Sutigna juga seorang kepala keluarga yang akrab sekali dengan anak-anak dan cucu-cucunya, bahakan pada hari ulang tahunnya yang dirayakan pada lingkungan keluarganya setiap tanggal 13 Mei, disebut “Hari Cucu”. Lingkungan pergaulan yang luas diperolah dari pengalaman-pengalaman-nya dalam kepanduan, musik, dan perjalanan keliling dunia. Ia juga terkenal sebagai seorang yang suka humor. Hal ini dapat kita lihat dari petikan-petikan tulisannya sebagai semacam “Autobiografi”. Selama hidupnya ia tidak pernah terjun dalam dunia politik. Ia berjalan lurus sesuai dengan perannya mengisi hidup dengan amalan-amalanya di bidang seni dan pendidikan. Bidang inilah sumbangsih pertama Daeng Sutigna terhadap nusa dan bangsa.



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Pak, punten nanya kalau partitur Spirit of Youth disini ada...

By: fahiragea

[2011-10-15 05:02:57]

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Silahkan download Tabel Hidayat dengan cara sebagai...

By: budis

[2011-10-11 14:57:47]

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pak tabel pembagian angklung menggunakan Tabel Hidayat...

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[2011-10-08 18:49:17]

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:) josbeudz

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[2011-09-23 17:57:03]

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