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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI Maestro arrow Daeng Sutigna arrow Buku Daeng Sutigna - BAB VII Humor Pak Daeng Tentang Rokok

Buku Daeng Sutigna - BAB VII Humor Pak Daeng Tentang Rokok Print E-mail
Contributed by Buku Biografi Daeng Sutigna   
Thursday, 11 August 2005
ImageDaeng Soetigna adalah seorang perokok berat. Hal ini tidak segan-segan diakuinya. Baik dalam keadaan sehat maupun sakit, kebiasaan merokok itu tidak bisa ditinggalkannya, bahkan ia menjadikan rokok sebagai bahan humornya. Di bawah ini kita petik beberapa humor yang ditulisnya sendiri.

MEROKOK

Cerita pertama
Terjadi sekitar tahun tigapuluhan. Si Etjle pergi dari Kuningan ke Cirebon dengan menggunakan bus, dengan maksud akan menghadiri kongres P.G.I. Di jalan mendapat kecelakaan. Bus menubruk roda pembawa bambu. Si Etjle pingsan, ketika siuman sudah ada di kamar operasi di Oranje Ziekenhuis (Rumah Sakit Oranje) Cirebon.

Menurut visum dokter, tulang rusuknya patah tiga buah, tulang belikat kiri retak, tulang bahu kiri patah dan luka di dada kiri selebar 10 cm. Berkat Tuhan Yang Maha Esa, Si Etjle masih hidup.

Suatu ketika dokter Wisse mengadakan kunjungan ke kamar orang sakit. Melihat uajung jari Si Etjle yang kecoklatan, ia bertanya ;
“Berapa batang rokok yang kau minum setiap hari?”
Etjle    : “Tidak banyak dokter. Hanya dua pak.(bungkus).”
Dokter    : “Satu pak yang berisi sepuluh? Atau yang berisi dua puluh?”
Etjle    : “Bungkus yang berisi dua puluh, dokter.”
Dokter (sambil agak melotot): “Apa? Empat puluh batang, katamu?
Orang muda, kalau kau terus merokok seperti itu, maka umurmu tidak akan sampai 60 tahun.”
Kenyataannya sekarang Si Etjle telah berumur 65 tahun.

Cerita kedua
Terjadi di Amerika pada tahun 196. Mula-mula terasa sakit ulu hati. Kepala terasa pusing...seterusnya pingsan.

Dokter Roeswali (dokter rombongan kita) dengan cepat memberi pertolongan. Kesehatan si Etjle diperiksa dengan teliti.

Dokter    :”Tekanan darah Bapak agak naik. Saya mohon agar Bapak beristirahat, tetapi bagaimanapun...minum rokok harus dikurangi.”
Etjle    : “Oke, dokter.”

Setelah dua minggu Si Etjle diperiksa lagi. Hasil pemeriksaan tekanan darah normal.

Dokter    :”Apakah Bapak beristirahat dengan baik?”
Etjle    :”Ya, dok.”
Dokter    :”Rokok dikurangi?”
Etjle    :”Tidak.”
Dokter    : ????

Cerita ketiga
Image Terjadi di Bandung,
Duduk bersama satu mobil dengan Miss Cairncross, guru Casuarina High School di Darwin, pulang nonton Kesenian di Gedung Merdeka. Di dalam mobil penuh dengan asap rokok kretek.

Miss Cairncross    : “ Tuan rupanya perokok berat. Apakah tuan tidak takut menderita sakit pada hati karena tembakau?”
Etjle        : “Tidak, sampai sekarang saya belum pernah sakit karenanya. Nicotine lebih kuat terasa pada kantong (saku) daripada hati.”
Miss Cairncross    : ????


Cerita keempat
Kembali lagi ke jaman waktu masih di asrama.
Si Etjle suka merokok tetapi tidak pernah mempunyai uang. Karena itu puntung-puntungnya tidak pernah dibuang. Suka digunakan lagi. Caranya: Tiga buah puntung dibuat menjadi sebatang rokok.

Suatu ketika Si Etjle mempunyai sebungkus rokok SPECIAL, berisi sepuluh batang. Coba hitung, berapa kali Si Etjle minum rokok?

JAWAB
Modal...................................................10 batang (punya 10 puntung)
Sepuluh puntung jadi............................3 batang (dan 1 puntung)
Puntung yang tiga jadi..........................1 batang (dan 1 puntung)
Punya sisa 2 puntung, terus meminjam puntung pada orang lain.....jadi 1 batang rokok. Kalau sudah habis, puntung dikembalikan kepada yang punya.
Jumlah...................................................15 batang rokok.  

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Pak, punten nanya kalau partitur Spirit of Youth disini ada...

By: fahiragea

[2011-10-15 05:02:57]

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Silahkan download Tabel Hidayat dengan cara sebagai...

By: budis

[2011-10-11 14:57:47]

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pak tabel pembagian angklung menggunakan Tabel Hidayat...

By: sadamdgreat

[2011-10-08 18:49:17]

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:) josbeudz

By: Arya Yudistira

[2011-09-23 17:57:03]

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