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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI News &amp; Event arrow Angklung News arrow BELAJAR MENGENAL DAN MENCINTAI ANGKLUNG DI SAU (Berita Bandung, 6 Mei 2009)

BELAJAR MENGENAL DAN MENCINTAI ANGKLUNG DI SAU (Berita Bandung, 6 Mei 2009) Print E-mail
Contributed by Ifah Hanifah AWI   
Wednesday, 06 May 2009

BANDUNG: Siapa yang tidak mengenal Udjo Ngalagena, Pria kelahiran 5 Maret 1929 adalah sosok seniman besar yang karya ciptaannya akan selalu dikenang sepanjang masa. Pak Udjo begitulah sang maestro kerap disapa. Semasa kecil sang maestro sudah mulai gemar mempelajari seni pembuatan angklung juga pencak silat, gamelan, dan lagu-lagu daerah dalam bentuk kawih dan tembang.

Namun, dalam perjalanan hidupnya hingga akhir hayatnya tanggal 3 Mei 2001, beliau lebih dikenal karena angklung. Angklung merupakan alat musik tradisional Jawa Barat. Saung angklung Udjo yang berlokasi di Jl. Padasuka 118 Bandung, mulai dirintis dan didirikan pada tahun 1966.

Keberadaan Saung Angklung Udjo (SAU) ini semakin berkembang dikarenakan adanya komitmen akan kecintaan Udjo terhadap seni budaya tradisional serta keinginan menciptakan suatu karya yang bagus dan bermanfaat. Pada tahun 1971 kantor Departeman kepariwisataan  menunjuk Saung Angklung Udjo sebagai salah satu proyek wisata kota.

Menurut Taufik Hidayat putra ke-9 dan salah satu penerus sang maestro, "SAU tidak hanya menyajikan pertunjukan angklung dan tarian anak-anak saja yang selalu diadakan setiap hari Senin-Minggu. "Tetapi ditunjang oleh adanya souvenir shop yang menyediakan berbagai barang kerajinan tangan.

"Selain itu, tersedia juga pendidikan untuk anak-anak usia sekolah yang ingin mengetahui angklung dengan materi how to make and how to play angklung,"ujar Taufik.

Taufik juga mengatakan, "Udjo Ngadalena tidak akan pernah bercita-cita membuat SAU menjadi seperti sekarang ini. "Namun, seiring dengan maju dan berkembangnya SAU, beliau mempunyai satu harapan agar masyarakat dalam negri lebih mencintai dan menghargai seni budaya tradisional yang kita miliki, jangan sampai seni budaya kita menjadi lebih terkenal diluar negri. (BB-07)

Sumber: Ahmad Prabudi
www.beritabandoeng.com
    BELAJAR MENGENAL DAN MENCINTAI ANGKLUNG DI SAU (Berita Bandung, 6 Mei 2009)
BANDUNG: Siapa yang tidak mengenal Udjo Ngalagena, Pria kelahiran 5 Maret 1929 adalah sosok seniman besar yang karya ciptaannya akan selalu dikenang sepanjang masa. Pak Udjo begitulah sang maestro kerap disapa. Semasa kecil sang maestro sudah mulai gemar mempelajari seni pembuatan angklung juga pencak silat, gamelan, dan lagu-lagu daerah dalam bentuk kawih dan tembang.

Namun, dalam perjalanan hidupnya hingga akhir hayatnya tanggal 3 Mei 2001, beliau lebih dikenal karena angklung. Angklung merupakan alat musik tradisional Jawa Barat. Saung angklung Udjo yang berlokasi di Jl. Padasuka 118 Bandung, mulai dirintis dan didirikan pada tahun 1966.

Keberadaan Saung Angklung Udjo (SAU) ini semakin berkembang dikarenakan adanya komitmen akan kecintaan Udjo terhadap seni budaya tradisional serta keinginan menciptakan suatu karya yang bagus dan bermanfaat. Pada tahun 1971 kantor Departeman kepariwisataan  menunjuk Saung Angklung Udjo sebagai salah satu proyek wisata kota.

Menurut Taufik Hidayat putra ke-9 dan salah satu penerus sang maestro, "SAU tidak hanya menyajikan pertunjukan angklung dan tarian anak-anak saja yang selalu diadakan setiap hari Senin-Minggu. "Tetapi ditunjang oleh adanya souvenir shop yang menyediakan berbagai barang kerajinan tangan.

"Selain itu, tersedia juga pendidikan untuk anak-anak usia sekolah yang ingin mengetahui angklung dengan materi how to make and how to play angklung,"ujar Taufik.

Taufik juga mengatakan, "Udjo Ngadalena tidak akan pernah bercita-cita membuat SAU menjadi seperti sekarang ini. "Namun, seiring dengan maju dan berkembangnya SAU, beliau mempunyai satu harapan agar masyarakat dalam negri lebih mencintai dan menghargai seni budaya tradisional yang kita miliki, jangan sampai seni budaya kita menjadi lebih terkenal diluar negri. (BB-07)

Sumber: Ahmad Prabudi
www.beritabandoeng.com
   

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Pak, punten nanya kalau partitur Spirit of Youth disini ada...

By: fahiragea

[2011-10-15 05:02:57]

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Silahkan download Tabel Hidayat dengan cara sebagai...

By: budis

[2011-10-11 14:57:47]

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pak tabel pembagian angklung menggunakan Tabel Hidayat...

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:) josbeudz

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