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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
Wednesday, 08 February 2012 Mail to AWI: service@angklung-web-institute.com
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AWI Home arrow AWI News &amp; Event arrow Detik.com arrow MASYARAKAT JUGA HARUS IKUT MELINDUNGI BUDAYA TRADISIONAL (DetikBandung, 14 Desember 2008)

MASYARAKAT JUGA HARUS IKUT MELINDUNGI BUDAYA TRADISIONAL (DetikBandung, 14 Desember 2008) Print E-mail
Written by Andri Haryanto - detikBandung   
Sunday, 14 December 2008
ImageBandung - Masyarakat diminta berpartisipasi jika pemerintah tidak mampu melindungi aset kekayaan intelektual bangsanya sendiri. Hal ini perlu dilakukan untuk melindungi klaim terhadap hak kekayaan intelektual milik Indonesia.

Dikatakan Konsultan Hak Kekayaan Intelektual Terdaftar Rizky A. Adiwilaga, saat menghadiri konferensi pers gelaran konser angklung 100 tahun Daeng Soetigna (Padaeng), di kampus STBA Yapari-ABA, Jalan Cihampelas, Minggu (14/12/2008).

"Jika pemerintah tidak mampu melakukan perlindungan hak intelektual, masyarakat harus mampu melakukannya," ujar Rizky ketika disinggung jika pemerintah tidak juga bergeming dalam melindungi aset budaya sendiri.

Mampu yang dimaksudkan Rizky adalah membuat database dari hasil analisa sejarah mengenai asal muasal keberadaan hak intelektual Indonesia. "Sehingga kita dapat melindungi apa yang diyakini sebagai milik kita," katanya.

Lebih lanjut dirinya menilai, Indonesia tertinggal jauh dengan India yang menjaga segala bentuk dan jenis kekayaan intelektual milik bangsanya.

"Kita tertinggal langkah dibandingkan India yang lebih cepat mengambil tindakan mereservasi tradisi sampai dengan pengetahuan tradisionalnya," tutur Rizky.

Mengenai permasalahan klaim kepemilikan angklung antara Indonesia dan Malaysia, dirinya menuturkan bahwa Indonesia belum mempunyai kejelasan soal klaim tersebut.

"Indonesia belum menyatakan secara pasti tentang kepemilikan angklung," ujarnya.

Hal tersebut, menurutnya, karena ketiadaan alat bukti-bukti otentik yang jelas dan bisa menguatkan kepemilikan angklung.

(ahy/afz)

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Pak, punten nanya kalau partitur Spirit of Youth disini ada...

By: fahiragea

[2011-10-15 05:02:57]

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Silahkan download Tabel Hidayat dengan cara sebagai...

By: budis

[2011-10-11 14:57:47]

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pak tabel pembagian angklung menggunakan Tabel Hidayat...

By: sadamdgreat

[2011-10-08 18:49:17]

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:) josbeudz

By: Arya Yudistira

[2011-09-23 17:57:03]

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