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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI News &amp; Event arrow Pikiran Rakyat Online arrow TUJUH SENIMAN RAIH "ANUGERAH BUDAYA KOTA BANDUNG" (Pikiran Rakyat, 6 September 2007)

TUJUH SENIMAN RAIH "ANUGERAH BUDAYA KOTA BANDUNG" (Pikiran Rakyat, 6 September 2007) Print E-mail
Kontributor: Soni F.M. & Eriyanti   
Thursday, 06 September 2007

ImageHINGGA kini, kehidupan seni dan budaya di Kota Bandung tiada henti berdenyut. Semua itu terjadi berkat daya kreatif para seniman yang terus-menerus berkarya dalam berbagai cabang seni yang dikreasinya selama ini. Karya-karya seni tersebut telah mengharumkan Kota Bandung sebagai kota seni dan budaya, yang tidak hanya dikenal secara nasional tetapi juga dikenal secara internasional.

”Mereka yang sudah berkreasi dengan penuh kecintaan itu telah membuat Kota Bandung terkenal ke berbagai pelosok dunia,” ujar Wali Kota Bandung H. Dada Rosada dalam sambutannya pada acara pemberian ”Anugerah Budaya Kota Bandung 2007” kepada tujuh seniman dan tiga kelompok seni di Hotel Savoy Homann Jln. Asia-Afrika Bandung, Rabu (5/9).

Acara ini diselenggarakan Dinas Pariwisata Kota Bandung bekerja sama dengan Bandung Arts & Culture Council (BACC). Pada seleksi awal telah terpilih 80 nomine, yang kemudian diseleksi lagi oleh dewan juri yang terdiri atas Prof. Dr. H. Ganjar Kurnia, D.E.A (ketua), Drs. H. Wahyu Wibisana (anggota), H. Us Tiarsa (anggota), Arthur S. Nalan, S.Sen., M.Hum. (anggota), dan Hawe Setiawan (anggota).

Jumlah itu kemudian menyusut menjadi sepuluh penerima Anugerah Budaya Kota Bandung 2007, yang terdiri atas tujuh seniman dan tiga kelompok seni yang terukur dan teruji karya-karya seninya selama ini.

”Para penerima Anugerah Budaya Kota Bandung 2007 ini geus mawa Bandung ka jauhna, mawa Sunda ka jauhna,” ujar Arthur S. Nalan, di sela-sela acara tersebut mengutip pandangan Ganjar Kurnia.

Tujuh seniman dan tiga kelompok seni yang mendapat anugerah tersebut adalah Ajip Rosidi (penyair), Aki Anong Naeni (empu perajin gitar), Apung Supena Wiratmadja (pemikir dan pegiat seni tembang Sunda cianjuran), Enoch Atmadibrata (koreografer tari Sunda), Euis Komariah (penembang Sunda cianjuran), Himendra Wargahadibrata (tokoh pendidikan), Nyoman Nuarta (pematung), Grup Musik Bimbo, Studiklub Teater Bandung, dan Saung Angklung Udjo.

Para penerima penghargaan, selain mendapat piala dan piagam penghargaan dari Pemkot Bandung, juga memperoleh hadiah uang masing-masing Rp 7,5 juta.

Sementara itu, dalam percakapan dengan ”PR”, penyair Juniarso Ridwan yang juga bertindak sebagai ketua pelaksana acara tersebut mengatakan, jumlah penerima Anugerah Budaya Kota Bandung bertambah empat penerima dibandingkan dengan penerima sebelumnya (enam seniman).

”Mulai tahun 2007, kami memberi anugerah budaya tidak hanya kepada seniman tetapi juga kepada kelompok seni yang oleh dewan juri dianggap layak untuk menerima anugerah tersebut,” ujar Juniarso Ridwan.

Menanggapi pemberian anugerah budaya tersebut, penyair Ajip Rosidi mengatakan, pihaknya menerima dengan baik apa yang sudah diberikan oleh pemerintah kepada dirinya. ”Seharusnya hal semacam ini dilakukan sejak dulu. Yang menjadi pertanyaan, apakah Pemkot Bandung bisa memberikan hadiah semacam ini secara terus-menerus?” tuturnya.

Hal yang sama juga diungkapkan Acil Bimbo bahwa apa yang dilakukan Pemkot Bandung memang pantas untuk disambut. ”Semoga saja dengan diberikannya hadiah semacam ini kegiatan seni di Kota Bandung kian bergairah,” kata Acil.

Sementara itu, Kang Apung mengatakan, hadiah yang diterimanya ini merupakan penghargaan yang layak untuk disyukuri. ”Mudah-mudahan tradisi pemberian anugerah semacam ini tidak hanya berlangsung tahun ini,” ujar Apung. (Soni F.M./Eriyanti/”PR”)***

Keterangan foto: WALI Kota Bandung Dada Rosada (tengah) berfoto bersama penerima Anugerah Budaya Kota Bandung 2007 di Hotel Savoy Homann Bidakara Bandung, Rabu (5/9) malam. Dari kiri, Ajip Rosidi, Aki Anong Naeni, Apung Supena Wiratmadja, Enoch Atmadibrata, Euis Komariah, Bimbo yang diwakili Sam, H.A. Himendra Wargahadibrata, Nyoman Nuarta, serta perwakilan Saung Angklung Udjo dan Studiklub Teater Bandung (STB).*M. GELORA SAPTA/”PR”

 

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Pak, punten nanya kalau partitur Spirit of Youth disini ada...

By: fahiragea

[2011-10-15 05:02:57]

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Silahkan download Tabel Hidayat dengan cara sebagai...

By: budis

[2011-10-11 14:57:47]

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pak tabel pembagian angklung menggunakan Tabel Hidayat...

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:) josbeudz

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