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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI News &amp; Event arrow Suara Karya Online arrow KAMIDIA RADISTI MISS INDONESIA 2007, PROMOSIKAN ANGKLUNG KE CHINA (Suara Karya, 29 Agustus 2007)

KAMIDIA RADISTI MISS INDONESIA 2007, PROMOSIKAN ANGKLUNG KE CHINA (Suara Karya, 29 Agustus 2007) Print E-mail
Contributed by Ifah Hanifah AWI   
Wednesday, 29 August 2007

ImageMiss Indonesia Kamidia Radisti (23) berjanji akan membantu pemerintah pusat dan daerah Jabar mempromosikan musik khas angklung ke China pada Desember mendatang. Diwawancarai di sela-sela partisipasinya ikut bermain angklung bersama lebih dari 10 ribu warga Jabar yang memecahkan rekor MURI angklung dengan pemain terbanyak di Kampus Unpad, Bandung, Senin, 27 Agustus lalu, gadis ini mengatakan, akhir November nanti beserta rombongan akan berkunjung ke China. Kepergiannya ke Negeri Tirai Bambu itu berkaitan dengan jadwal Miss Indonesia 2007 mengikuti ajang Miss World 2007 yang akan digelar di Sanya, China, 1 Desember mendatang.

"Ajang Miss World adalah peluang cukup besar bagi saya untuk mempromosikan potensi kepariwisataan Indonesia, karena potensi wisata di Jabar, Sumbar, NTB, Makassar dan daerah lainnya masih banyak yang perlu dikembangkan. Angklung, kesenian khas warga Jabar, akan saya promosikan juga di sana," kata Kamidia Radisti.

Disti, demikian panggilan akrab sarjana ekonomi lepasan Unpad ini, berada di Kampus Padjadjaran pada Senin lalu bukan karena kampusnya itu sedang merayakan dies natalis ke-50, tetapi karena digelarnya ajang pemecahan rekor MURI angklung dengan jumlah pemain terbanyak. "Sebagai lulusan Unpad, saya terpanggil ikut menyemarakkan acara tersebut. Apalagi para pemain angklung itu ternyata dosen-dosen saya, adik-adik kelas saya, juga Rektor Unpad, Gubernur Jabar, bahkan hadir pula Menbudpar Jero Wacik. Angklung yang jumlah pemainnya berhasil memecahkan rekor MURI itu adalah alat kesenian khas yang saya sukai. Makanya, saya pun akan mempromosikan Angklung ke China agar masyarakat dunia paham bahwa angklung musik khas Indonesia, bukan milik negara lain." ujar Disti lagi. (Ami Herman)

Sumber dari Suara Karya Online

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Pak, punten nanya kalau partitur Spirit of Youth disini ada...

By: fahiragea

[2011-10-15 05:02:57]

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Silahkan download Tabel Hidayat dengan cara sebagai...

By: budis

[2011-10-11 14:57:47]

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pak tabel pembagian angklung menggunakan Tabel Hidayat...

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:) josbeudz

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