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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI News &amp; Event arrow Angklung News arrow MUSIK KOLINTANG DAN ANGKLUNG, MEMUKAU PARA TAMU DALAM ACARA RESEPSI DIPLOMATIK (26 Agustus 2007)

MUSIK KOLINTANG DAN ANGKLUNG, MEMUKAU PARA TAMU DALAM ACARA RESEPSI DIPLOMATIK (26 Agustus 2007) Print E-mail
Kontributor: KBRI Damascus   
Sunday, 26 August 2007

ImagePada tanggal 27 Agustus 2007, KBRI Damaskus telah menyelenggarakan acara Resepsi Diplomatik dalam rangka memperingati Hari Ulang Tahun Proklamasi Kemerdekaan Republik Indonesia ke-62 yang diselenggarakan di Taman Wisma Duta.

Bapak Duta Besar RI beserta Ibu Diana Murni Muzammil Basyuni menyambut para undangan yang dihadiri pejabat tinggi pemerintah Suriah antara lain Menteri Negara Bidang Proyek Perumahan dan Olah Raga, Ir. Hussein Ferzat; Asisten Menlu Suriah, Ahmad Arnous;  Menteri Negara Bidang  Hubungan Luar Negeri, Hassan Sari; Deputi Menlu Suriah, Dr. Faisal Miqdad; dan Menteri Negara Bidang Konstruksi, Hammoud Hussein.  Resepsi Diplomatik juga dihadiri sekitar 500 tamu undangan terdiri dari berbagai kalangan seperti anggota parlemen, korps diplomatik, para Ulama Suriah, perwakilan organisasi internasional, para ketua berbagai faksi pergerakan Palestina seperti Ketua Biro Politik Hamas, Khaled Meshaal; Jabhah Demokratiyah, Jabhah Nidhol dan PLO. Dari kalangan tokoh masyarakat setempat, hadir pula Penasihat Presiden, Madam Collete al-Khoury, cucu dari mendiang Faris al-Khoury, seorang diplomat terkenal yang pernah secara gigih mendukung kemerdekaan RI pada Sidang DK-PBB pada tahun 1947, serta pernah memperoleh Bintang Penghargaan dari Pemerintah Suriah atas jasa-jasanya tersebut.

Acara Resepsi Diplomatik diawali dengan Sambutan Duta Besar RI H.M. Muzammil Basyuni dengan bahasa Arab yang fasih, mengulas berbagai capaian yang telah diraih dalam pengembangan dan peningkatan hubungan kerjasama tidak saja dalam kerangka bilateral RI-Suriah tetapi juga kerjasama di forum-forum internasional. Sementara itu, Asisten Menlu Suriah, Ahmad Arnous, dalam sambutan balasannya menyampaikan eratnya hubungan RI-Suriah yang telah terjalin demi kepentingan rakyat kedua negara dan menghargai posisi dan sikap RI yang tegas dalam masalah perdamaian di Timur Tengah, khususnya dalam upaya pengembalian wilayah Arab yang diduduki Israel sejak 1967, termasuk Dataran Tinggi Golan milik Suriah. Setelah sambutan, Bapak Duta Besar H.M Muzammil Basyuni melakukan pemotongan tumpeng bersama para Menteri dan Wakil Menlu yang hadir pada acara resepsi tersebut. 

Untuk menambah kemeriahan suasana, KBRI Damaskus menampilkan musik Kolintang dan Angklung yang dibawakan oleh para pelajar dan mahasiswa Indonesia. Adapun lagu-lagu yang ditampilkan adalah lagu Rek Ayorek, Getuk, Angin Mamiri, Halo-halo Bandung dan lagu-lagu pop Arab dan Spanyol seperti Helwa ya Badady, Addukal Maya, La Bamba, Kisas dan La Playa.  Sedangkan Ibu-ibu Dharma Wanita Persatuan KBRI Damaskus dengan penuh semangat dan percaya diri berpartisipasi memainkan musik Kolintang dengan lagu Rayuan Pulau Kelapa dan Besamemucho.

Para tamu khususnya dari kalangan media elektronik dan usahawan sangat tertarik dengan alat musik Kolintang karena suaranya yang terdengar indah dan menimbulkan suasana yang harmonis serta memberikan kesan dan nuansa tersendiri bagi para tamu undangan. Bahkan salah seorang usahawan terkemuka Suriah mengharapkan agar Group Kolintang KBRI Damaskus dapat tampil setiap hari di Pusat Hiburan dan Perbelanjaan Damaskus. Namun karena misi Group Kolintang bukan bisnis melainkan untuk mempromosikan budaya dan wisata Indonesia maka tawaran tersebut tidak mungkin dapat dilaksanakan.

Selain itu para undangan sangat terkesan dengan kekhasan pakaian adat dan pakaian pengantin tradisional Indonesia yang terdiri dari daerah Sulawesi, Kalimantan, Sumatera Utara, Padang, Aceh, DKI Jakarta, Bengkulu, Jawa Tengah dan Nusa Tenggara Barat. Paduan penampilan alat musik Kolintang dan Angklung serta pakaian daerah tersebut merupakan salah satu bagian dari upaya KBRI Damaskus untuk memperkenalkan budaya dan pariwisata Indonesia.

Sumber dari KBRI Damascus

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Pak, punten nanya kalau partitur Spirit of Youth disini ada...

By: fahiragea

[2011-10-15 05:02:57]

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Silahkan download Tabel Hidayat dengan cara sebagai...

By: budis

[2011-10-11 14:57:47]

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pak tabel pembagian angklung menggunakan Tabel Hidayat...

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[2011-10-08 18:49:17]

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:) josbeudz

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