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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
Wednesday, 08 February 2012 Mail to AWI: service@angklung-web-institute.com
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AWI Home arrow AWI News &amp; Event arrow Angklung News arrow ANGKLUNG YANG MENGGUGAH CINTA (Tourism,Hotels and Travel Directory-West Java, Indonesia, 27-8-2007)

ANGKLUNG YANG MENGGUGAH CINTA (Tourism,Hotels and Travel Directory-West Java, Indonesia, 27-8-2007) Print E-mail
Contributed by Ifah Hanifah AWI   
Monday, 27 August 2007

ImageDalam hal kebudayaan Indonesia memang nomer 1 di dunia. Kita boleh kalah dalam hal sepak bola, tapi corak ragam budaya adalah nomer  1 di dunia.  Dies Natalis UNPAD ke-50  tanggal 27 Agustus 2007, memecahkan rekor MURI (dan mungkin rekor dunia) “bermain angklung dengan jumlah peserta terbanyak (10.000 orang) dan jumlah permainan angklung oleh Guru Besar terbanyak.”

Angklung

Acara ini didukung oleh Saung Angklung Udjo, dan dihadiri oleh Mentri Kebudayaan dan Parawisata Ir. Jero Wacik, Gubernur Jawa Barat, para Guru Besar Universitas Padjadjaran dan beberapa artis Ibukota.

Acara dipandu oleh MC Daan Arya yang juga merupakan alumni Universitas Padjadjaran.

Pemecahan Rekor MURI ini juga sebagai penegasan bahwa kesenian angklung adalah milik bangsa Indonesia.  Dan sekaligus menolak klaim dari sebuah Negara yang ingin merampas hak atas kepemilikan kesenian angklung ini.

Seni angklung modern adalah hasil karya (Alm) Daeng Sutigna (1938), yang mengembangkan angklung pentatotis menjadi diatonis, yang kemudian dilestarikan selanjutnya oleh Udjo Ngalagena.

Jero Wacik menegaskan, sertifikat dari UNESCO atas kepemilikan kesenian angklung ini harus dimiliki oleh bangsa Indonesia, jangan sampai didahului oleh Negara lain.

Anda tahu bagaimana bentuk angklung buhun (tua / kuno)?.  Pada acara ini juga ditampilkan bentuk angklung buhun, yang mempunyai ukuran lebih besar daripada angklung modern.

Dipimpin oleh teh Ika yang siang itu terlihat sangat cantik, dengan komando-komandonya yg sesekali menghibur sangat membuat cerah suasana.  Bermain angklung memang menyenangkan, nada diatonis benar-benar menghibur dan menghipnotis.  Bahkan terlihat dari wajah para Guru Besar begitu sumringah ketika menggoyang buluh2 bambu seakan mengingatkan masa kecil yang membahagiakan.

Walaupun para pemain adalah orang yang baru kali ini saja memainkan angklung tapi karena permainan ini begitu mudah dan menyenangkan, maka hanya dengan berlatih dadakan 1-2 lagu, dan dengan dipandu dengan sangat baik oleh teh Ika dan kang Sam, maka seketika juga para pemain angklung yang berjumlah lebih dari 10000 pemain itu bisa dengan sangat merdu memainkan sebuah lagu “You raise me up” yang pernah dipopulerkan oleh Josh Groban.

Alat musik angklung selain unik, juga sangat luwes.  Ini juga merupakan cerminan dari luwesnya kebudayaan dan orang sunda.

Satu demi satu lagu kemudian dimainkan oleh para peserta, Indonesia pusaka, begitu menggetarkan jiwa dan keharuan. 

Seakan nada-nada yang merdu tersebut serasa merambat pelan di dalam aliran darah dari kaki hingga sel-sel neuron sehingga merinding bulu kuduk ketika mendengarnya.

Acara ini kemudian ditutup dengan sebuah lagu dari sunda, Pileuleuyan.  Ungkapan perpisahan dari sebuah pengalaman tak terlupakan...

Pileuleuyan pileuleuyean..
Sapu nyere pegat simpai
Pileuleuyan pileuleuyean..
Paturay patepang deui..
Amit mundur .. amit mundur
Amit ka jalma nu rea
Amit mundur .. amit mundur
Da kuring arek ngumbara

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Pak, punten nanya kalau partitur Spirit of Youth disini ada...

By: fahiragea

[2011-10-15 05:02:57]

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Silahkan download Tabel Hidayat dengan cara sebagai...

By: budis

[2011-10-11 14:57:47]

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pak tabel pembagian angklung menggunakan Tabel Hidayat...

By: sadamdgreat

[2011-10-08 18:49:17]

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:) josbeudz

By: Arya Yudistira

[2011-09-23 17:57:03]

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