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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
Sunday, 05 February 2012 Mail to AWI: service@angklung-web-institute.com
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AWI Home arrow AWI Course Material arrow Angklung Pendidikan - Metoda Latihan arrow KETERAMPILAN PSIKOMOTORIK (2/3)- ACCELERATED LEARNING

KETERAMPILAN PSIKOMOTORIK (2/3)- ACCELERATED LEARNING Print E-mail
Ditulis Oleh: YUSRANI SALMAN AWI   
Thursday, 21 October 2004
Lalu faktor apa saja yang berpengaruh pada proses pembentukan keterampilan psikomotorik pemain angklung? Menurut Clyde Everett Noble, seorang ahli psikologi, ada enam faktor yang mempengaruhi keterampilan psikomotorik. Pertama, frekuensi latihan. Latihan bertujuan untuk membangun dan memelihara memori. Setelah periode waktu tertentu tanpa latihan, maka apa yang dipelajari cenderung untuk terlupakan Satu hal yang mempengaruhi proses belajar secara umum adalah repetisi (pengulangan).

Semakin banyak pengulangan dan latihan, maka materi yang dilatihkan akan cenderung tersimpan di dalam memori jangka panjang. Contoh yang mudah adalah alfabet, karena sering digunakan maka kita tidak perlu susah payah lagi mengingat jenis-jenis huruf ketika hendak menulis sesuatu. Dengan latihan yang teratur, diharapkan pemain dapat mengenal dan mengingat jenis dan rentang nada sama baiknya dengan ingatan pada alfabet.

Faktor yang kedua adalah umpan balik psikologis. Latihan yang rutin tidak akan memberikan hasil yang baik bila tidak didukung dengan adanya pengertian bersama mengenai standar latihan yang hendak dicapai. Dengan begitu, setiap pemain dapat menyadari sejauh mana ‘respon’ yang dibuatnya pada saat latihan, dibandingkan dengan ‘respon’ yang diharapkan sesuai dengan tujuan latihan. Adanya pengertian bersama mengenai target kualitas penampilan, akan mengefektifkan proses latihan, karena secara tidak langsung para pemain akan berusaha meningkatkan ‘skill’-nya untuk memenuhi standar latihan. Sama halnya dengan proses belajar di sekolah, untuk meningkatkan kualitas belajar, maka seorang murid harus mengerti dulu target nilai yang diinginkannya. Makin tinggi target, maka usaha yang diperlukan akan semakin besar pula. Tanpa targetan, maka murid cenderung bersikap santai dan tidak serius, sehingga tidak akan ada peningkatan kualitas belajar, dan hasil yang didapat tidak akan baik.

Faktor yang ketiga adalah tingkat kesulitan latihan (task complexity).

(Bersambung)

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Pak, punten nanya kalau partitur Spirit of Youth disini ada...

By: fahiragea

[2011-10-15 05:02:57]

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Silahkan download Tabel Hidayat dengan cara sebagai...

By: budis

[2011-10-11 14:57:47]

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pak tabel pembagian angklung menggunakan Tabel Hidayat...

By: sadamdgreat

[2011-10-08 18:49:17]

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:) josbeudz

By: Arya Yudistira

[2011-09-23 17:57:03]

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