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center of knowledge and competence of angklung

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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
Wednesday, 08 February 2012 Mail to AWI: service@angklung-web-institute.com
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AWI Home arrow AWI News &amp; Event arrow Kompas Cyber Media

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   Urutan     Tampilkan # 
Judul Akses
BAMBU MENJADI IKON BUDAYA PLURAL (Kompas, 19 Juli 2007) 402
ANGKLUNG BELUM TERLINDUNGI PP (Kompas, 7 Juli 2007) 659
ANGKLUNG MAKIN BANYAK DIPESAN ORANG ASING (Kompas, 7 Juli 2007) 590
SELAMATKAN ANGKLUNG INDONESIA! (Kompas, 7 Juli 2007) 773
HYLI KE-8:MAHASISWA INDONESIA TAMPILKAN MUSIK ANGKLUNG DI HANOI (Kompas, 23 Januari 2007) 610
WAPRES HADIRI PEKAN LINGKUNGAN (Kompas, 31 Mei 2007) 268
KEARIFAN LOKAL, WAWASAN UNTUK KEMBALIKAN SIKLUS MEMPERBAIKI DIRI (Kompas, 21 Mei 2007) 387
TAUFIK UJO, PENERUS SANG LEGENDA ANGKLUNG (Kompas.com, 17 April 2007) 707
ANGKLUNG TERANCAM DIPATENKAN NEGARA LAIN (Kompas, 9 November 2006) 745
SULIT MEMBUAT ARANSEMEN MUSIK ANGKLUNG (Kompas, 9 November 2006) 712
INDONESIA "MENGGARAP" PASAR WISATAWAN IRAN (Kompas, 4 Agustus 2006) 585
SAUNG ANGKLUNG MANG UDJO: OASE YANG TERANCAM HILANG (Kompas, 22 Juli 2007) 314
INDONESIA IKUT PARADE BUDAYA FRANKFURT (Kompas, 21 Mei 2006) 698
MUSIK TRADISIONAL INDONESIA-JEPANG DALAM ALUNAN RUMPUN BAMBU (Kompas, 20 Mei 2006) 2537
INDONESIA-JEPANG DALAM ALUNAN RUMPUN BAMBU (Kompas, 20 Mei 2006) 456
KEBON AWI KIAN DIABAIKAN URANG SUNDA (Kompas, 19 Mei 2006) 970
ALAT MUSIK TRADISIONAL HARUS LEBIH DIGALAKKAN (Kompas, 23 April 2006) 1453
PERGELARAN MUSIK BAMBU (Kompas, 13 April 2006) 448
MENJUAL INDONESIA DI DUNIA MAYA (Kompas, 17 Maret 2006) 439
KUALITAS ALAT MUSIK ANGKLUNG MENURUN, ORANG SUNDA SANGAT TERIKAT PADA BAMBU (Kompas,16 Maret 2006) 809
 
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Downloads		FileA BASIC INTRODUCTION TO CONCERT SOUND ENGINEERING.PDF
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Downloads		FileTabel Rujukan Nomor Angklung & Nada Dasar
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Latest Comments

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Pak, punten nanya kalau partitur Spirit of Youth disini ada...

By: fahiragea

[2011-10-15 05:02:57]

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Silahkan download Tabel Hidayat dengan cara sebagai...

By: budis

[2011-10-11 14:57:47]

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pak tabel pembagian angklung menggunakan Tabel Hidayat...

By: sadamdgreat

[2011-10-08 18:49:17]

No title

:) josbeudz

By: Arya Yudistira

[2011-09-23 17:57:03]
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center of knowledge and competence of angklung
service@angklung-web-institute.com
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